Songs and Songwriters
skos:Concept · http://data.judaicalink.org/data/yivo/songs_and_songwriters
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- has abstract
The notion of a Yiddish popular song is clearest in an example such as the 1947 hit “Rumenye” [listen to a recording] popularized on stage and through recordings and sheet music by a professional singer, with a text by a professional lyricist and music by a professional composer—…
The notion of a Yiddish popular song is clearest in an example such as the 1947 hit “Rumenye” [listen to a recording] popularized on stage and through recordings and sheet music by a professional singer, with a text by a professional lyricist and music by a professional composer—in this case all three in the person of Aaron Lebedeff (although here the music was reworked rather than composed by him). Before all these elements of a mass musical culture were present, however, the second half of the nineteenth century brought the appearance of something different from the traditional East European Yiddish folk song. Although folk songs presumably originate as products of individual creativity, as they spread, they lose connections with their creators and become anonymous. What was new in Austrian Galicia, Romania, and Russia was the development of a group of professional or semiprofessional songwriters and performers who produced songs that began to be identified with their authors or performers. Also new was the context of performance, no longer limited to the family circle or to ceremonial occasions such as weddings. Now songs began to be performed to entertain customers—in taverns, wine cellars, and restaurant gardens.- title
- Songs and Songwriters
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- Broder Singers
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- Songs and Songwriters
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- song
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- songs
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- songwriter
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- Songs and Songwriters
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