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<http://data.judaicalink.org/data/yivo/operetta>
        rdf:type         skos:Concept;
        jlo:describedAt  <https://yivoencyclopedia.org/article.aspx/Operetta>;
        jlo:hasAbstract  "Modern Yiddish theater, as conceived by Avrom Goldfadn (1840–1908) in the 1870s, was above all a musical theater, and operetta was doubtless its dominant genre. This musical theater accommodated not only the tastes of the audiences but also the skills of aspiring performers—who, in the early years, joined theatrical troupes on the strength of their singing rather than their acting. As a central element of East European Jewish culture, music suffused everyday life—and Jewish musical culture was highly eclectic: it often appropriated and blended sacred and secular strains, Jewish and non-Jewish elements, and folk and art music. The Yiddish operetta was built on this musical culture and presented it in a new, theatrical form."@en;
        jlo:sameAs       <http://data.judaicalink.org/data/wikidata/Q170384>;
        jlo:title        "Operetta";
        skos:altLabel    "operettas" , "operetta";
        skos:prefLabel   "Operetta";
        skos:related     <http://data.judaicalink.org/data/yivo/dance> , <http://data.judaicalink.org/data/yivo/songs_and_songwriters> , <http://data.judaicalink.org/data/yivo/theater> , <http://data.judaicalink.org/data/yivo/galicia> , <http://data.judaicalink.org/data/yivo/russia> , <http://data.judaicalink.org/data/yivo/lodz> , <http://data.judaicalink.org/data/yivo/kiev> , <http://data.judaicalink.org/data/yivo/warsaw> , <http://data.judaicalink.org/data/yivo/peretz_yitskhok_leybush> , <http://data.judaicalink.org/data/yivo/goldfadn_avrom> , <http://data.judaicalink.org/data/yivo/romania> , <http://data.judaicalink.org/data/yivo/chernivtsi> , <http://data.judaicalink.org/data/yivo/lviv> , <http://data.judaicalink.org/data/yivo/pogroms> .
