PREFIX cc: PREFIX dc: PREFIX dcat: PREFIX dcterms: PREFIX dqv: PREFIX edm: PREFIX foaf: PREFIX geo: PREFIX geosparql: PREFIX gn: PREFIX gndo: PREFIX jl: PREFIX jld: PREFIX jlo: PREFIX oa: PREFIX owl: PREFIX prov: PREFIX rdf: PREFIX rdfs: PREFIX schema: PREFIX skos: PREFIX spdx: PREFIX void: PREFIX wd: PREFIX wdt: PREFIX xml: PREFIX xsd: rdf:type skos:Concept; rdfs:seeAlso ; jlo:hasAbstract "The history of Jewish exhibitions, both of ceremonial objects and memorabilia (generally known as Judaica) and of Jewish painting and sculpture, begins in the last quarter of the nineteenth century. Essentially a postemancipation phenomenon, the founding of Jewish museums housing permanent collections, as well as the periodic display of Jewish exhibits, started in Western Europe. A portion of Isaac Strauss’s collection of Judaica was displayed at the Exposition Universelle in Paris in 1878 and, 10 years later, at the Anglo-Jewish Historical Exhibition, opened at Royal Albert Hall as well as at three other London venues. Praised by the Russian art critic V. V. Stasov in a review published in the literary journal Evreiskaia biblioteka (The Jewish Library), these forays into what the historian Richard Cohen has called “self-exposure” came to have special significance for East European Jewish culture, associated even by Western Jews with the institutionalization of memory that Jewish museums came to exemplify. Although the phenomenon of Jewish museums and exhibitions remained limited prior to World War II, it expanded considerably in the West after 1945 and moved eastward after 1989; in the twenty-first century nearly every East European capital and regional center will have its own Jewish museum."@en; jlo:sameAs ; skos:prefLabel "Museums and Exhibitions" .